Showing posts with label Designers. Show all posts
Showing posts with label Designers. Show all posts

Wednesday, 23 September 2015

100% Norway

Actually, I am only 50%. Norway, that is. The other 50% are Northern Irish. Not the most common of combos, but it works for my sister and me.

But this is about 100% Norway, which will be presenting 33 of Norway's most talented designers at Tent London, the international design event that forms part of London Design Festival. Tent London will take place at The Old Truman Brewery in East London from tomorrow.

My immediate favourites from the exhibition catalogue are these beautiful pieces by Andreas Bergsaker
 Beech 'Piedistallo' table lamp
 
Beech 'Blossom' accessories tray with mirror, lamp and magnifying mirror
 
Aluminium 'Pendini' dimmable pendant lights
 
You can find more information about 100% Norway here

Friday, 5 June 2015

Tricia Guild for Bemz

Bemz, the ingenious provider of 'prêt-à-porter' and bespoke covers for IKEA soft furniture, is celebrating 10 years in business and to mark this milestone they have teamed up with a clutch of exiting designers to create a special 10th anniversary collection.

First out is Tricia Guild, who presents the first curation of the collection - a printed cotton cover in 'Azure Sudara' for IKEA's Söderhamn sofa, awash with luscious hydrangeas which contrast beautifully against the minimalist lines of the sofa itself. Tricia has teamed this with crisp and zesty cushions in Designers Guild's soft and tactile 'Brera Lino' (and might I add that this is quite a bit cheaper than if you were to buy similar cushions at DG itself...)

Tricia Guild
 
 
 
All photos courtesy of Bemz
 
 

Monday, 23 February 2015

The Ilse Aesthetic

My beloved and I are just back from spending our wedding anniversary in the picturesque very Olde England village of Old Amersham just north-west of London. I think we all tend to rush off quite a distance when we want to get away, and thus we miss little gems closer to home. Amersham is only a 45-minute drive away from our Surrey home, so we arrived at our destination without any of the usual bickering (me accusing Love of driving too fast, him insisting that he can't drive slower than the speed limit. Growing up in a country where 55 mph is considered dangerously fast has made me beyond jittery on the road).

The Crown Inn, Old Amersham
I had booked us in to The Crown Inn hotel, which has rooms designed by the celebrated designer Ilse Crawford. I won't pretend that the attraction wasn't mainly Ilse, but I also found the thought of staying in an old Elizabethan inn fascinating. As a child I used to devour historical romantic fiction set in just such surroundings. The Crown was old yet stylish in a way that appeals to connaisseurs of the sludgier end of Farrow & Ball's colour chart. Charmingly creaky and sloping floors, dark wooden beams, a crackling fire in the reception area. Very atmospheric. But when we arrived at our room my heart sank. The receptionist had handed us the key and announced that it was 'a lovely room!' and I realised that he was trying to put a brave face on it - or perhaps it was an attempt at subliminal manipulation. The room, located at the end of a corridor and then at the bottom of a winding staircase, next to a fire escape, felt like a dungeon. Slightly below ground level, with a low ceiling and a window opening on to an outbuilding, this room was where I had chosen to take my husband as a treat for our special weekend. The muted grey colour scheme and the ascetic shaker furnishings felt less like a treat, more like a monastic retreat. A quick look in the even lower-ceilinged bathroom revealed beautiful fixtures, but a shower in which my husband would have to bend his head. I felt miserable. Somehow we always seem to get the worst room when we go away for our anniversary (we were once stuffed into an ugly little staff room in the attick in a Canterbury inn - my husband had reserved a four-poster deluxe). I just wanted to get out of there and return after dark, but my beloved went to the reception and did what I can't bring myself to do: complain. He is a gent.
We were given another room, and suddenly we saw what Ilse Crawford's design was meant to look and feel like: Muted, rustic, pared down, yet comfortable. The emphasis was on a heavenly bed with big tweed cushions to lean against while reading ('Absent in Spring' by Mary Westmacott in my case), Bestlite wall lamps provided excellent reading light and simple wooden stools functioned as bedside tables. There was a plain wooden rocking chair in a corner with a sheepskin for warmth and softness, and a beautifully simple oak trestle table as a desk-cum-dressing table. There were ample supplies of teas and coffee - including ground coffee and filters for brewing plus loose leaf tea, though I'm afraid the four little milk cartridges didn't go very far. A little dressing area with a line of wooden shaker pegs around the walls led to a smart bathroom with a traditional and excellent shower in which I stayed far too long. It was exactly as I had hoped when I made the booking. My husband, however, was less taken with the Ilse Crawford aesthetic, finding it dull and lacking in warmth. And I agree that he had a point: There was no colour in the room, apart from a tomato-red vintage radio. It was a study in light grey, taupe and black, with oak accents. The theme continued in the public areas downstairs, which were stylish in the same rustic way, but lacked a little warmth and life. It needed an injection of colour and a green plant here and there to balance out the monastic feel.

The corner of our bedroom. Photo: Lifewithanordicsoul


The Bar. Photo: The Crown Inn

There was nothing monastic about our dinner though, which was excellent. My husband's duck pie was the stuff of dreams and the recipe is apparently the chef's closely guarded secret. We woke up to dazzling sunshine the next day but by the time we had finished breakfast it was raining heavily. Instead of going off for a hike like most of the other guests we took the easy option and visited Hughenden. There, in the walled garden, I spotted another hotel in a similar palette of muted colours... a very spacious 'bug hotel' :)

Photo: Lifewithanordicsoul